Category: Article

Press: Has the Oscar Race Already Narrowed to Nomadland and One Night in Miami?

Friday, Sep 25, 2020

 

VOGUE – In what promises to be the strangest of awards seasons, with continued uncertainty about when people will feel comfortable returning to movie theaters and the Oscars already pushed back two months to April 25, one factor remains constant: The Venice and Toronto film festivals are still a reliable predictor of the films that will most likely compete for the top awards.

Those two festivals, one held with socially distanced in-person screenings and the other held primarily online, seemed to have sharply narrowed the best-picture race to a handful of films and have begun to clarify some of the other top races, most notably best actress and best director. With Telluride and Cannes both canceled this year, and with the New York Film Festival scaled back, Venice and Toronto may hold even more sway this year.

Earlier this month, Venice gave its Golden Lion award to Nomadland—a meditation on the current economic crisis starring Frances McDormand as a “houseless” woman traveling the country in her van—while also honoring its director, Chloé Zhao. (Last year, the Golden Lion went to Joker, immediately giving that film awards-season legitimacy and propelling Joaquin Phoenix to his first Oscar for best actor.) In Toronto, which followed Venice and just concluded earlier this week, the highly influential audience award also went to Nomadland.

The Toronto audience award has been a good Oscar predictor since 2008, when Slumdog Millionaire was a surprise winner and went on to collect seven Oscars, including best picture. Since then, The King’s Speech, 12 Years a Slave, and Green Book have all gone on to win that awards-season double, while runners-up in the audience award—Argo, Spotlight, and Parasite—have also claimed the best-picture prize.

This year’s runner-up, One Night in Miami, the directorial debut of Regina King, is also creating Oscar buzz. (It was not competing at Venice, but garnered extremely strong reviews.) For King, already clearly in the mix for a best-director nomination, it’s been a heady few years. She has won four acting Emmys in the past five years, including the award for outstanding lead actress in a limited series on Sunday for her role in Watchmen, as well as a 2019 best-supporting-actress Oscar for If Beale Street Could Talk.

One Night in Miami, based on a play written by Kemp Powers, tells the story of Cassius Clay (before he became Muhammad Ali) and his celebration with friends Malcom X, Jim Brown, and Sam Cooke after defeating Sonny Liston for the world heavyweight boxing championship. It has an electric cast, including the Hamilton Tony winner Leslie Odom Jr., as Cooke, but it is the largely unknown British actor, Kingsley Ben-Adir, playing Malcolm X, who is creating the most Oscar buzz and seems headed for a best-actor nomination.

Among his potential rivals is Delroy Lindo, in Spike Lee’s Da 5 Bloods, which is currently streaming on Netflix; Anthony Hopkins, in the harrowing Florian Zeller film The Father (an adaption of Zeller’s own play), which got rave reviews at Sundance, particularly for Hopkins; and several actors whose films have not yet been released, but who are generating a lot of strong advance word. They include Gary Oldman in Mank (playing the screenwriter Herman J. Mankiewicz as he battles with Orson Welles over who deserves credit for Citizen Kane); Tom Hanks in News of the World; and Daniel Kaluuya in Judas and the Black Messiah. Meanwhile, Andy Samberg, the former Saturday Night Live cast member, might snag his first Oscar nomination for his role in the Groundhog Day–like Palm Springs, another big hit at Sundance.

Vanessa Kirby, best known to American audiences for playing Princess Margaret in the first two seasons of The Crown, received the best-actress award at Venice for Pieces of a Woman—in which she plays a woman who loses her infant daughter during a home birth gone terribly wrong—and is certain to be in the running at Oscar time. So far, her chief competitors seem to be Frances McDormand, already a two-time Oscar winner, for Nomadland; Oscar-winner Kate Winslet (and possibly her costar Saoirse Ronan) for Ammonite; as well as two other past Oscar winners, Viola Davis (Ma Rainey’s Black Bottom) and Jennifer Hudson (playing Aretha Franklin in Respect), and previous nominees Michelle Pfeiffer (French Exit) and Amy Adams (Hillbilly Elegy).

At this point, except for Nomadland and One Night in Miami, the best-film race seems the most fluid, with many of the year’s biggest films yet to be released, and one highly anticipated movie that has managed a largely traditional release during the pandemic: Christopher Nolan’s Tenet, debuting to mixed reviews and somewhat disappointing grosses. So far, the most likely contenders for a best-picture nomination seem to be David Fincher’s Mank, Wes Anderson’s The French Dispatch (to be released next year), The Father, News of the World, Judas and the Black Messiah, with the possible additions of Aaron Sorkin’s docudrama, The Trial of the Chicago 7. (An early favorite, Steven Spielberg’s remake of West Side Story, has been pushed back a year, to December 2021, because of the pandemic.) One outside contender might be Eliza Hittman’s quietly powerful Never Rarely Sometimes Always, a Sundance winner that opened to very strong reviews in March, just days before the coronavirus shut down theaters.

Press: ‘Nomadland,’ ‘One Night in Miami’ Awarded at 45th Toronto Int’l Film Festival

Friday, Sep 25, 2020

 

BACKSTAGE – The Toronto International Film Festival ended on Sept. 20 after a special awards ceremony that combined socially distanced and streaming events. The scaled-down 45th iteration of TIFF managed to screen 50 features compared to last year’s 333, but that didn’t stop the Canadian festival from offering a bustling marketplace for film acquisition and anointing 2021 Oscar hopefuls.

Even in the hybridized, digital version of the festival, the Grolsch People’s Choice Award still offers a look at award season glory; this year’s coveted first place position went to Searchlight Pictures’ “Nomadland” from writer-director-editor Chloé Zhao. The Toronto screening featured leading actor Frances McDormand introducing the project, which is based on Jessica Bruder’s work of nonfiction about a woman living out of a van as a modern nomad after her town’s economic collapse. Zhao’s film also picked up TIFF’s Ebert Director Award in addition to the Golden Lion Award at the Venice International Film Festival, marking the first time a film has ever taken home both accolades.

And it is TIFF’s People’s Choice Award that places “Nomadland” as an awards contender at this early stage of the season. Last year’s winner, “Jojo Rabbit,” received six Academy Award nominations including for best picture, while the second runner-up in 2019 was “Parasite,” which went on to win four Oscars including best picture. Over the last decade, every winner of the TIFF People’s Choice Award has gone on to receive an Oscar nomination for best picture.

“Nomadland” screened in Toronto Sept. 11 in collaboration with the festivals of Venice, New York, and Telluride. Although the latter was canceled this year, Zhao’s film screened to public audiences at the Rose Bowl Drive in Los Angeles.

The runner-up at this year’s People’s Choice honors was Regina King’s feature film directorial debut, “One Night in Miami,” based on the play by Kemp Powers. Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom Jr. star as Malcolm X, Cassius Clay, Jim Brown, and Sam Cooke, respectively, celebrating one of Clay’s boxing wins on a night in 1964. King, fresh off her fourth acting Emmy Award win, is already garnering praise for the film, its directing, and the ensemble cast. Following “One Night in Miami,” the second runner-up for TIFF’s People’s Choice Award was the Canadian drama “Beans” from director Tracey Deer, who also received the Emerging Talent award.

The fest’s tribute awards ceremony streamed internationally and was broadcast across Canada on CTV. The one-hour event awarded actors Kate Winslet and Sir Anthony Hopkins with Tribute Actor honors. Both stars had films screening at the festival: Winslet in “Ammonite” opposite Saoirse Ronan and Hopkins in Sony Pictures Classics’ “The Father” alongside Olivia Colman. Both titles are likely to be players again throughout the 2020–21 awards season.

Along with its awards, the festival still proved itself a significant force in the film industry markets. “Malcolm & Marie” starring John David Washington and recent Emmy winner Zendaya, “Pieces of a Woman” starring Vanessa Kirby, and “Bruised” featuring Halle Berry as star and director, will all be released on Netflix. (The streaming giant is acquiring titles this year despite sitting out film festivals themselves.) “Another Round” starring Mads Mikkelsen went to Samuel Goldwyn Films, “Good Joe Bell” starring Mark Wahlberg went to Solstice Studios, and “Shadow in the Cloud” starring Chloë Grace Moretz went to Vertical Entertainment and Redbox Entertainment. Neon acquired the Côte d’Ivoire–set drama “Night of the Kings.”

Of this year’s unusual festival, Artistic Director and Co-Head Cameron Bailey said, “TIFF 2020 was a year we won’t soon forget. Over the last 10 days, we have experienced community in the truest sense. The pandemic hit TIFF hard and we responded by going back to our original inspiration—to bring the very best in film to the broadest possible audience and transform the way people see the world through film. We heeded the urgent calls for greater representation of under-represented voices. And we watched as audiences embraced cinema’s ability to transport them through screens of all sizes by joining us online from all over this country.”

TIFF Executive Director and Co-Head Joana Vicente said in a statement, “In a time where the very future of our beloved art form was in question due to cinema and production shutdowns and film festival cancellations, we have seen a tenacity of spirit.” She also mentioned one of the fest’s biggest achievements: 46% of all titles screened were either directed, co-directed, or created by women. For more on TIFF, the changes to this year’s festival, and year-round programming, visit their official website.

Press: ‘Black Adam’ – Aldis Hodge in Talks to Play Hawkman in New Line’s DC Movie

Friday, Sep 25, 2020

Don’t forget your mace.

Aldis Hodge, who starred in City on the Hill and appeared in this year’s remake of The Invisible Man, has nabbed the high-flying role of Hawkman in Black Adam and is now in final negotiations to join New Line’s action-adventure thriller featuring the DC Comics antihero starring Dwayne Johnson.

Jaume Collet-Serra, who directed Johnson in the upcoming Disney adventure film Jungle Cruise, is directing.

Longtime Johnson collaborator Beau Flynn is producing via FlynnPictureCo., along with Johnson, Dany Garcia and Hiram Garcia via their Seven Bucks Productions. Scott Sheldon will oversee for FlynnPictureCo. and will also serve as executive producer.

The story is tied to 2019’s hit Shazam! and centers on the character who was first created as that squinty-eyed hero’s archnemesis but evolved into a more layered individual.

An enticing factor for fans is the introduction in Black Adam of the Justice Society of America, a multi-generational group that preceded the Justice League. Characters Atom Smasher (to played by Noah Centineo), as well as Doctor Fate and Cyclone, who have yet to be cast, will figure into the story.

Hawkman, who first appeared in 1940’s Flash Comics No. 1, is one of a pair of lovers from Ancient Egypt destined to constantly be reincarnated throughout time and space, with many rebirths leading to an emergence as a hawk-themed hero using both giant wings and an alien element called “nth metal,” which negates gravity and allows him to fly. In contemporary times, he’s Carter Hall, an archaeologist-turned-adventurer who struggles with anger issues — and his ability to control a mace.

Rory Haines and Sohrab Noshirvani wrote the latest draft. Adam Sztykiel worked on the previous writer draft.

Black Adam is due out Dec. 22, 2021.

Hodge is the having a hot moment as he is one of the stars in One Night in Miami, Regina King’s historical drama that is generating Oscar buzz this awards season. He also co-starred with Elisabeth Moss in one of the biggest theatrical movies of the year, Universal and Blumhouse’s remake of The Invisible Man.

The actor has been gaining steam with strong notices for his appearances in movies such as 2016’s Straight Outta Compton, in which he played MC Ren, and 2017’s Hidden Figures, and for starring with Jurnee Smollett on WGN’s Underground, co-created by Lovecraft Country’s Misha Green.

Hodge is repped by Paradigm, The Priluck Company, and Ziffren Brittenham.

—Graeme McMillan contributed to this story.

Dwayne Johnson later confirmed the casting and told an amusing story about Aldis.

View this post on Instagram

THIS IS HAWKMAN ? A pleasure to welcome @aldis_hodge to BLACK ADAM. HAWKMAN is a critical leading role for our movie, as he is the fiery leader of the JSA (Justice Society of America) and one of the most beloved and legendary characters in the DC UNIVERSE. I called Aldis personally as I wanted to surprise him that he got the role and it wound up being one of the greatest conversations I’ve ever had. Aldis: Hello? DJ: Hello, I’d like to speak to Aldis. Aldis: Who is this? DJ: This is Dwayne Johnson. * long pause Aldis: Whoever this is stop playing on my phone. DJ: This is Dwayne, is this Aldis? * longer pause Aldis: This shit ain’t funny, I said stop playing on my fucking phone. DJ: Aldis, this is DJ. I just called to say thank you so much for sending in your audition – it was great and I really appreciate the efforts you made. Just wanted to say thanks and best of luck in all you do. And one more thing — welcome to Black Adam. * longest pause Aldis: I’m sorry you’ll have to hold on for a one second. * he puts the phone down and walks away and all I hear is inaudible yells ? Aldis: DJAYYYY OHHHHH SHIT!!!!!! * Im laughing my ass off by now. DJ: You ok? You’re gonna crush this role! We went on to have an awesome conversation full of gratitude, love and motivation. Can’t wait to work with this very talented brother. The perfect HAWKMAN. Let’s get to work. #aldishodge #jsa #hawkman ? #blackadam??

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Press: Leverage Revival Adds Charmed Alum as Hardison’s Hacker Sister

Wednesday, Aug 19, 2020

TVLINE-IMDb TV‘s Leverage revival has added to the mix a second hacker who shares the same particular set of skills as her brother.

TVLine has learned that Aleyse Shannon (formerly of The CW’s Charmed) has joined the revival’s cast in the series regular role of Hardison’s sister, Breanna Casey.

Described as “sarcastic and intelligent,” Breanna’s skills include being a genius mechanical engineer and making social hacking and social media manipulation look like child’s play. Having landed in the foster system following her parents’ tragic car accident, Breanna got lucky by finding a home with Nana, where as a “bonus” she acquired big brother Alec (played by Aldis Hodge, who will only recur in the revival).

Hardison at the time reached out to the scared 10-year old by teaching her computers and hacking. Now, as Breanne trains in new skills with the other Leverage team members, she will need to learn to embrace and trust her new family.

The synopsis for the new Leverage, which started production this month in New Orleans, reads: “The rich and powerful take what they want… and the Leverage team is back to take them down! Sophie Devereaux/The Grifter (played by Gina Bellman), Parker/The Thief (Beth Riesgraf), Eliot Spencer/The Hitter (Christian Kane) and Alec Hardison/The Hacker have watched the world change over the last eight years. It’s become easier – and sometimes legal — for the rich to become richer and the powerful to squash anyone who gets in their way. Sadly down one team member (Timothy Hutton will not be back as Nate), they find new blood in Harry Sullivan (Falling Skies‘ Noah Wyle), a corporate lawyer who is looking for redemption after realizing he’d been sitting on the wrong side of the table for his entire career.

In this new world, the team will use their collective skills to take down a new kind of villain. “From the man who created an opioid crisis from the comfort of his boardroom, to the woman who prefers to deport workers instead of paying them, to the shadowy security firm that helps hide dangerous secrets for a price, when someone needs help, we provide… Leverage.”

IMDb TV is Amazon’s free streaming service, on which you can currently watch the original Leverage series.

Press: ‘Leverage’: Production Underway On IMDb TV Series Reboot In Louisiana

Wednesday, Aug 19, 2020

 

DEADLINE – Independent production companies continue to lead the way back into production amid the coronavirus pandemic.

Leverage, a new incarnation of the 2008 crime drama for IMDb TV, is entering its second week of filming in New Orleans, Louisiana. The series is produced by Dean Devlin’s Electric Entertainment. It has joined fellow indie productions, Tyler Perry Studios’ Sistas and The Oval, which recently finished their shoots, and Tom Werner’s Werner Entertainment’s The Conners, which just started production.

As documented in detail on social media by Devlin and the Leverage cast, the series’ in-person table read was on Aug. 4, with actors sitting 6 feet apart and wearing face shields. Cameras started rolling on Aug. 10, and the first week of shooting went well, sources said.

Like with Perry’s casts, the Leverage actors flew in on a private jet a couple days before the table read for a round of testing.

Leverage, the first major original series for Amazon’s IMDb TV, was initially tentatively slated to begin production in late June-early July in Louisiana following safety protocols. The tentative day was subsequently pushed to July 20 and then to Aug. 4 as producers across the industry try to adjust to the ever changing COVID conditions.

The Leverage reimagining will include new characters, including one played by new lead Noah Wyle, along with returning original cast members Beth Riesgraf, reprising her character as “Parker”, Gina Bellman as “Sophie Devereaux”; Christian Kane as “Eliot Spencer” as well as Aldis Hodge as “Alec Hardison.”

Hodge is recurring because of his duties on his Showtime series City on a Hill but the early start of Leverage could make him available for most of the season. The one original Leverage cast member not returning for the reboot is embattled former star Timothy Hutton.

The Leverage sequel is a fresh update of the original concept, about reformed crooks using their unique skills to right corporate and governmental injustices inflicted on common citizens.

Devlin is executive producing the revival, with Leverage John Rogers and Chris Downey serving as consulting producers. Additional EPs include Marc Roskin, Rachel Olschan-Wilson and Kate Rorick.

Press/Video: Magic Camp Trailer Starring Adam Devine in Disney+’s Heartwarming Comedy **Available August 14!

Thursday, Aug 13, 2020

COMING SOON – Magic Camp Trailer Starring Adam Devine in Disney+’s Heartwarming Comedy

Walt Disney Studios has released the official Magic Camp trailer starring Adam Devine (Pitch Perfect) as a down-on-his-luck magician who receives help from a group of misfit campers to rediscover his love of magic. You can check out the trailer now in the player below!

In Magic Camp, a straight-laced banker Andy Tuckerman (Devine) returns to magic camp, which he attended years ago as a boy, to work as a compassionate and fun-loving counselor while also keeping his eye on winning first place in the upcoming Golden Wand competition.

The movie also stars Gillian Jacobs (Community), Golden Globe winner Jeffrey Tambor (Transparent), Nathaniel McIntyre (David Makes Man), Cole Sand (3Below: Tales of Arcadia), Josie Totah (Champions), and Aldis Hodge (Hidden Figures).

Magic Camp was directed by Mark Waters (Vampire Academy) and written by Micah Fitzerman-Blue, Noah Harpster, Matt Spicer, Max Winkler, Dan Gregor, and Doug Mand from a story by Gabe Sachs, Jeff Judah, Spicer, and Winkler. The movie will debut on Friday, August 14, exclusively on Disney+.

Press: ‘Leverage’ Cast Reunites for Table Read Ahead of Revival Series

Thursday, Aug 6, 2020

TV INSIDER – They’ve successfully stolen a revival, and it’s all coming together.
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As was previously announced, IMDb TV is reimagining the TNT crime drama Leverage, with original stars Beth Riesgraf (thief Parker), Gina Bellman (grifter Sophie Deveraux), Christian Kane (hitter Eliot Spencer), and Aldis Hodge (hacker Alec Hardison) all returning as their characters alongside new cast member Noah Wyle. And with the first table read comes a look at the stars reunited and a few teases about what to expect.

Bellman posted a photo of herself with the rest of the returning cast members, all wearing masks. “STAY SAFE,” she wrote alongside it. “Protect others and take care of your gang!”

Kane shared a photo of himself and Hodge on August 1 with the caption, “The boys are back in town… the boys are back in towhowaahahaan. the boys are back. Oh and a couple of girls you may know and love. It’s real people.”

Original series creator John Rogers (back as a consulting producer with co-creator Chris Downey) was the one to note that they’d had the first table read on Twitter. “Completely surreal, everybody’s right back in the voices,” he wrote. “@BethRiesgraf @AldisHodge @ChristianKane01 and our old Librarian pal Noah — but you’re not ready for the heat @Ginabellman brings, people.”

In a follow-up, he added, “She pulled off the ‘I’m not sure this speech works I have to trust Gina’ moment and made the room tear up. So good to be working with actors who started off great 12 years ago and have only gotten better.”

In a subsequent tweet, Rogers answered a fan’s inquiry about Wyle’s new character with one word: “Conflicted.”

The series follows reformed crooks who use their unique skills to right the corporate and governmental injustices done to common citizens.

“While Leverage centered on a crusade to avenge the death of a child, this series is propelled forward as a redemption story of misdeeds that need amends,” returning executive producer Dean Devlin has teased.

Marc Roskin, Rachel Olschan-Wilson, and Kate Rorick will also executive produce.

The original Leverage premiered in 2008 and ran for five seasons.

Press: Aldis Hodge Appointed Trustee Of The Horological Society Of New York

Wednesday, Aug 5, 2020

Hodge joins the decision-making branch of America’s oldest watchmaking guild in the midst of a powerful time of change.

 

 

HODINKEE – The Horological Society of New York (HSNY) announces the appointment of actor and horological designer Aldis Hodge as its newest Trustee. Hodge is an award-winning actor, famous for his roles in movies such as The Invisible Man, Clemency, Hidden Figures, and Straight Outta Compton. In addition, Hodge is an accomplished horologist who serves on the academy of the Grand Prix d’Horlogerie de Genève. The Society’s ten Trustees play an important role in the operation of the organization, as they are responsible for ensuring that it continues to uphold the interests of the public.

In addition, Nicholas Manousos (formerly HSNY President) succeeds Edwin Hydeman as Executive Director. Manousos also serves on the Academy of the Grand Prix d’Horlogerie de Genève and is the Technical Editor for HODINKEE. John Teifert, Technical Manager for LVMH Watches & Jewelry, assumes the role of President, and John Davis, Director of Service Operations, Rolex Watch USA, assumes the role of Vice President. Teifert and Davis succeed in their roles as Vice President and Trustee, respectively.

Founded in 1866, HSNY has navigated through world wars, depressions, and pandemics, while always maintaining its mission to advance the art and science of horology. As New York City begins to re-open, HSNY’s team is focused on making a positive contribution to horology through its educational and philanthropic programs. To date in 2020, HSNY has awarded $155,000 in financial assistance to watchmaking students, schools, and professionals.

Continue reading Press: Aldis Hodge Appointed Trustee Of The Horological Society Of New York

Press: Aldis Hodge Takes off in ‘Clemency’

Friday, Jan 10, 2020

HEMISPHERES MAGAZINE – Where You’ve Seen Him: Playing a real-life football player wrongfully convicted of rape in last summer’s Brian Banks, an assistant district attorney fighting police corruption on Showtime’s City on a Hill, and a fiercely independent slave named Noah in the WGN America series Underground.

Origins: The North Carolina–born son of two former Marines got his first big acting break at the age of 5, when he and his brother were cast on Sesame Street. “That was pretty cool, going to work every day to see Big Bird and Elmo and Oscar the Grouch,” says Hodge, now 33. “You’re living in the fantasy of this being your reality every day.”

Changing Course: At age 14, Hodge, already fed up with typecasting in Hollywood, made a commitment to avoid stereotypical roles. “For a while, all the auditions I was getting were thug this, thug that, and I realized that if we keep supporting that idea, that’s how people will continue to look at us,” he says. On his 21st birthday, he landed his breakout role as a brainy hacker on TNT’s Leverage. “I would have tons of black men, women, and young kids come up to me and say, ‘Thank God someone’s finally showing what we’re capable of.’”

Star Turn: In the drama Clemency (in theaters now), Hodge takes on his most complex role to date: death-row inmate Anthony Woods. The film, which also stars Alfre Woodard as a stoic warden, won the U.S. Dramatic Grand Jury Prize at last year’s Sundance Film Festival—the first time a black female director (Chinonye Chukwu) has received that honor. Hodge admits that Anthony’s journey is an emotional roller-coaster, but he points out that the experience is unsettling by design. “Our director would never tell me whether or not he did it,” Hodge says. “I don’t want the audience to see him through the lens of the death row condition. I want them to see a human being and see if they can empathize with that human being.”

Up Next: A self-taught horologist, Hodge is hoping to start his own watch brand soon. “I’m building a legacy to pass down to my kids,” he says. He is also honing his behind-the-scenes skills as a producer: “I want to put myself in a position where I can start creating jobs for other people.” More selfishly? “I would love to strap on some tights and do the superhero thing!”

Press: Content Mode Interview

Friday, Jan 10, 2020

CONTENT MODEYour first acting credit came at a young age. Tell me what your childhood was like growing up juggling schoolwork and auditions.

My childhood was great. Not always easy, but definitely great. I was being raised by a mom who believed in my dream enough to support it, along with great siblings to share it with. When we experienced troubling times of poverty, we got through it together, and that’s what made it survivable.

School was at the mercy of the dreams we chased. Public school turned into homeschool, which then turned into college for me at the age of 14. My pathway through academia was as nuanced as my career choice.

In past interviews, you’ve mentioned that you were type cast in certain roles as a teenager. Tell me how you broke out of that cycle. Did it affect the direction of your career?

I broke out by simply invoking the power to say “No”. I refused to go on those auditions and, though the sacrifice of the lack of jobs was felt early, it eventually paid off. Without making that decision, I wouldn’t be getting the caliber of work that I’ve been fortunate enough to grab onto over these past few years.

If you could go back and give your younger self any career advice, what would it be?

Believe in your full potential, and don’t be afraid to express yourself to the fullest. As an artist, only worry about satisfying your honest intent when you create. You can’t allow the opinions of others to dictate your passion.

2015-2016 was arguably a pivotal year in your career, appearing in both Straight Outta Compton and Hidden Figures, two films that received both critical acclaim and box office success. What was the experience like for you? How did you keep grounded during this period?

The experiences were simply great educations about how we are able to fully impact people in a huge way with our art. Each film took on a life of its own through our audiences, and it was quite special to observe and be a part of.

Staying grounded comes from having an awareness that it’s not directly about you and never will be. You didn’t accomplish this feat alone. Having a great foundation of family at home helps. And also understanding that when people boast about the supposed “power” you have, what they really mean is the great “responsibility” you have to the audience, to the craft and most importantly, to yourself. As long as you don’t forget the work you have to do, you won’t go astray.

Continue reading Press: Content Mode Interview