Category: Interview

Press: Hollywood Podcast – From ‘Friday Night Lights’ To ‘Clemency’, Aldis Hodge Is Making His Mark On Hollywood

Friday, Jan 10, 2020


DEADLINE – Aldis Hodge has been acting since he was a child, but he caught the attention of Hollywood when he starred in the acclaimed Texas high school football drama Friday Night Lights as Ray “Voodoo” Tatum, the stone-faced, “I’m not here to make friends” Dillon Panthers quarterback who posed problems for Coach Taylor and the team. From there, Hodge continued have career glow-up as he landed roles in numerous TV series and films including the critically acclaimed Underground as well as the features Straight Outta Compton and Hidden Figures. Most recently he stars opposite Kevin Bacon in the Showtime drama City on a Hill and gives a stirring performance in a pair of prison reform dramas that includes the Tom Shadyac-directed Brian Banks and Chinonye Chukwu’s prison reform drama Clemency, which he co-stars with Alfre Woodard.

With an extensive resume of TV series and films, Hodge is determined to leave an impact by telling stories with his craft. He isn’t looking to stop anytime soon as he continues to impress with his focus, determination and career choices — and just today, Deadline exclusively broke the news that he’d be playing football legend Jim Brown in Regina King’s feature directorial debut, One Night in Miami. He stopped by Deadline’s New Hollywood Podcast to talk about how his family inspired and nurtured his career and what he wants to tackle next. Listen to the episode below.



Press: Alfre Woodard needed just one take to nail the toughest scene in ‘Clemency’

Friday, Jan 10, 2020

LA TIMES – Time was of the essence on the 17-day shoot for “Clemency,” short even by indie film standards, so writer-director Chinonye Chukwu spent months prepping with actors Alfre Woodard and Aldis Hodge.

They didn’t rehearse so much as talk deeply about their characters — a prison warden in the midst of a moral crisis and one of her death row inmates, fighting for relief — so that the acting could live on its own, in the moment, once the camera rolled.

That work yielded two of the most heartrending performances of the year. Woodard and Hodge quietly bring enormous humanity to characters whose lives are irrevocably intertwined within the walls of death row, each delivering their own standout moments in scenes captured in a miraculously few number of takes.

In one scene, Hodge’s condemned inmate silently crumbles while being described the menu of lethal injections that will soon kill him, the looming end to his life sinking in with shocking reality.

In another it’s Woodard’s character who strains to contain her own tormented conscience in a masterful three-and-a-half-minute take that lingers resolutely on her face, the camera refusing to let her go.

“People really came prepared,” Chukwu said at the tail end of a long journey with her second feature. (“Clemency” had its world premiere at the Sundance Film Festival in January, where it won the coveted grand prize for U.S. narratives and was acquired by Neon. It opened in limited release over the weekend.)

Hodge’s scene, she says, took only two takes to nail. Woodard’s stunning moment, also conveyed without dialogue and held within the immense power of her eyes and face alone, was filmed just once. “I knew as we were shooting. This is it. This is the moment,” said Chukwu.

Woodard, a former Oscar nominee, stars as Bernadine Williams, a by-the-book death-row warden who takes pride in her work. But presiding over nearly a dozen executions has taken its toll on her happiness and her marriage.

She drinks too much and doesn’t process nearly enough, and the cracks are beginning to widen. When her 12th execution, of inmate Victor Jimenez (Alex Castillo, in a brief but affecting performance), goes terribly wrong, Bernadine’s psychological fortress is further rattled ahead of her 13th: Anthony Woods (Hodge), a young African American man scheduled to die who may or may not be guilty of his crime.

“As the actor, my job always is to leave myself behind — my opinions, my history, any idiosyncrasies — and find that person, stand that person up to the point that she’s a human being,” said Woodard, joined by Hodge on a recent day in Los Angeles. “Every character I ever played, I had to learn to think the way they think. And this one took me to the other side, the absolute other side of the circle than I’d always inhabited.”
Continue reading Press: Alfre Woodard needed just one take to nail the toughest scene in ‘Clemency’

Press: Content Mode Interview

Friday, Jan 10, 2020

CONTENT MODEYour first acting credit came at a young age. Tell me what your childhood was like growing up juggling schoolwork and auditions.

My childhood was great. Not always easy, but definitely great. I was being raised by a mom who believed in my dream enough to support it, along with great siblings to share it with. When we experienced troubling times of poverty, we got through it together, and that’s what made it survivable.

School was at the mercy of the dreams we chased. Public school turned into homeschool, which then turned into college for me at the age of 14. My pathway through academia was as nuanced as my career choice.

In past interviews, you’ve mentioned that you were type cast in certain roles as a teenager. Tell me how you broke out of that cycle. Did it affect the direction of your career?

I broke out by simply invoking the power to say “No”. I refused to go on those auditions and, though the sacrifice of the lack of jobs was felt early, it eventually paid off. Without making that decision, I wouldn’t be getting the caliber of work that I’ve been fortunate enough to grab onto over these past few years.

If you could go back and give your younger self any career advice, what would it be?

Believe in your full potential, and don’t be afraid to express yourself to the fullest. As an artist, only worry about satisfying your honest intent when you create. You can’t allow the opinions of others to dictate your passion.

2015-2016 was arguably a pivotal year in your career, appearing in both Straight Outta Compton and Hidden Figures, two films that received both critical acclaim and box office success. What was the experience like for you? How did you keep grounded during this period?

The experiences were simply great educations about how we are able to fully impact people in a huge way with our art. Each film took on a life of its own through our audiences, and it was quite special to observe and be a part of.

Staying grounded comes from having an awareness that it’s not directly about you and never will be. You didn’t accomplish this feat alone. Having a great foundation of family at home helps. And also understanding that when people boast about the supposed “power” you have, what they really mean is the great “responsibility” you have to the audience, to the craft and most importantly, to yourself. As long as you don’t forget the work you have to do, you won’t go astray.

Continue reading Press: Content Mode Interview

Press: 2019 SCAD Savannah Film Festival: ‘Clemency’ star Aldis Hodge talks return to Savannah, finding empathy in his character

Tuesday, Oct 29, 2019

DO SAVANNAH: Aldis Hodge is all about the craft and he wants to impart that on the SCAD students at this year’s festival.

One of the 13 honorees at this year’s festival, Hodge is ready to speak with the next generation and start a dialogue that could lead them to great things. He has found great things on his own. He is currently starring alongside Alfre Woodard in the critically-acclaimed “Clemency,” which follows a prison warden who must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill.

Do Savannah spoke with Hodge about his new role and what research went into crafting it, but also about what he hopes to impart on the students as he plans a masterclass during the festival.


Q: Aldis, first congratulations on the recognition for the festival. What did you make of the honor?

Hodge: I was surprised. I remember my first time getting introduced to SCAD. I think was like 2016 when I was there (in Savannah filming) ‘Underground.’ We had a panel there (at SCAD). But getting to experience the full magnitude of what SCAD is and what they’ve done and accomplished over the years. So for me to be a part of that, I very humbled. And, you know, this is new for me to be, you know, acknowledged so I’m like, all right. Absolutely.

I’m really excited to see what some of the programs (at the festival are). I’m hopefully (going to) get to see some of the other folks down there. I just worked with Elisabeth Moss so hopefully we get to cross paths down there and then Camila Morrone, we were just having some fun together. I know she’s going to be down there so it’d be cool to just, you know, cross that and be able to catch up. Also, I’ve been given the opportunity to give a masterclass while I’m down there, so I’m pretty excited about that. I’ve never taught a class. I’ve worked individually when it comes to acting as well, I’m excited to see what that turns out to be.

Q: That’s great, What kind of knowledge are you looking to impart on the students?

Hodge: I think the best way to be a teacher is to understand you’re still a student. I’m still learning a lot. You can learn a lot from the people that you’re trying to teach, but the best way to work with people is to figure out who they are. I can’t go at them with the assumption I know so much more than them regardless of the experience, but it does matter. I know that every person there has something that makes them great. So what I’m searching for is that thing that makes them great and seeing if I can help them identify more and define it more so that they can always call on it and know exactly how to how to pull it out when they need to execute it because the beautiful thing about our craft is that we’re all individuals and that’s what makes it interesting. So I just want to see I want to experience you know what these students actually have to teach me honestly.

Q: Real quickly on Savannah, you were here extensively for ‘Underground,’ is there anything about re-visiting the city that you’re looking forward to most?

Hodge: Definitely want to go check out some of the food. I do remember Savannah was a very beautiful place — really relaxing. Nice little place to walk around and just chill for a minute. So I enjoy the flow down there and I’m definitely trying to get some good food, man.

Continue reading Press: 2019 SCAD Savannah Film Festival: ‘Clemency’ star Aldis Hodge talks return to Savannah, finding empathy in his character

Press/Gallery: ‘If I’m going to do this, it’s going to be mine’: Aldis Hodge gets Discovery Award

Tuesday, Oct 29, 2019

SCAD Savannah Film Festival honoree opens up about his career



CONNECT SAVANNAH – CRITICALLY-acclaimed actor Aldis Hodge is one of a group of esteemed actors and film industry heavyweights set to the Discovery Award honor at this year’s SCAD Savannah Film Festival, which is taking place from October 26 through November 2.

Hodge, a lifelong actor who started as a child hoping to follow in the footsteps of his brother Edwin, has had a pretty big year. Not only does he star alongside Kevin Bacon in the series City On A Hill, he’s also had some pretty major film roles in Tom Shadyac’s powerful Brian Banks and Chinonye Chukwu’s upcoming Clemency.

Clemency is notably inspired by the story of Troy Davis, who was convicted of the 1989 murder of Savannah police offer Mark MacPhail despite decades of doubt surrounding the case. Davis was executed in 2011, following a widespread effort to be granted clemency that garnered support from the likes of President Jimmy Carter and Pope Benedict XVI.

Hodge’s award will be presented during a Q&A following a screening of Clemency at the Lucas Theatre on Mon., Oct. 28 at 9:30 P.M.

Ahead of the screening and Q&A, we spoke to Hodge about his incredible career trajectory and what being an actor really means to him.

What made you get into this line of work?

I got into this line of work following my brother, Edwin Hodge. He’s actually in Atlanta right now working on his upcoming film Ghost Draft, starring alongside Chris Pratt. He started when he was 3, and I came up behind him. My mom said that if I was going to do it, I had to be serious about it and earn it.

When I was 12 years old, I was fired from a job for performing too well. They thought that my character and two other characters on the show performed a little bit better than their primary lead, and they didn’t want us to distract so they fired us.

Oh, wow!

Yeah, it was a little weird. How do you do your job too well? [laughs]. But I said, all right, if I’m going to do this, I don’t want to be in a position of being expendable or being something somebody takes off a shelf every now and then when they feel like it.

That’s when I really started writing and decided that if I’m going to do this, it’s going to be mine. I don’t want to just be an actor—I’m going to be a full-on artist.

It’s not really about acting, for me. It has to do with my passion for being able to contribute to the craft, to the art. I have an ambition for how I see acting, and the issues that I see in the industry that I’d hope to be a part of fixing. So I’m not sure that for me it was every really about acting.

I don’t think as a kid I ever said that I wanted to be an actor. I was just in it, and then I had ambitions that grew out if it. Because I wasn’t satisfied. I wasn’t seeing the stories written that were necessary, which I knew to be true.

That’s what pushed me to writing. So my ambition comes out of necessity.

That’s an interesting perspective. It seems like that mentality is on full display with movies like Brian Banks, where you tell the true story of a man falsely convicted of rape, and Clemency, in which your character was inspired by Troy Davis and his fight for clemency. Why is it important for you to take roles like that?

I take those roles because they’re substantive. There are challenges creatively and artistically, and it allows me to have a conversation with my audience about being progressive and hopefully inspiring somebody to get out there and be active and do the work.

Granted, not every job I take is going to be in the same vein of cultural responsibility or advocacy, but when those opportunities are there I love to jump on them.

Look, I’m a black man. I am not absolved of any of these issues that go on today. It’s frustrating, tiring, and exhausting. Any part that I can play in terms of using my platform to hopefully defeat some of this, I’m going to take it.

I do extracurricular work outside of acting, but when it comes to that specifically—I love to take all kinds of roles, whether it’s the main protagonist, antagonist, it doesn’t matter.

But what is the point? What story are we telling? Am I playing a thug for the purpose of playing a thug that doesn’t move the needle? Or am I playing a conflicted villain who actually has a reason for why he is the way he is?

You mentioned writing; is that something you’re always working on? What do you foresee for the future in terms of those endeavors?

Right now, I’m getting ready to executive-produce two films. I’m also producing and directing my first short next year, and always writing new projects to pitch.

I don’t have as much time as I’d like to sit and write full films and full scripts; between my shooting schedule and my other work; it kind of takes away my flow. So I spend as much time as I can developing stories, and then putting a writing team together to help finish it.

I have an animated [project] that I’m working on, that I’m working with a team to develop. And outside of that, two different TV series that I’m working on as well. So, you know, I try to fit it in when I can. Time is very much a rare luxury, which is a good problem to have. But when I get it, I try and get to work.




Gallery Links:

Photoshoots > Session 71

Public Appearances > 2019 > Oct 28: 2019 SCAD Savannah Film Festival

Public Appearances > 2019 > Oct 28: 2019 SCAD Savannah Film Festival – Reception


Press: Aldis Hodge: Actor, Inventor, Bona Fide Watch Junkie

Saturday, Oct 26, 2019

You’ve already seen Aldis Hodge’s name in lights. It’s only a matter of time before you see it on your wrist.



Gallery Links:
 Photoshoots > Session 70



OVATION MAGAZINE – It’s 8:45 am on a breezy june day when Aldis Hodge arrives at Midtown Manhattan’s Quin Hotel, sans entourage and dressed like he’s just hopped off the back of a Ducati. His low-slung graphic tank, leather jacket, and ripped jeans are certainly appropriate for the weather, but this summer hasn’t exactly been a casual one for the 33-year-old actor.

Hodge has just wrapped the first season of his new Showtime series, City on a Hill, costarring Kevin Bacon and produced by Ben Affleck and Matt Damon, and he’s preparing for a full-blown press tour for Brian Banks, a movie in which he plays a high school football player whose life is upended after he’s wrongly accused of a violent crime. After that, it’s three months in Australia to shoot Universal Pictures’ The Invisible Man, based on the H.G. Wells science-fiction classic. And in typical form, Hodge is in a hurry this morning, too. He has just a few hours to spare for Ovation’s fall casual fashion shoot before he’s off again, this time to record voiceovers.

As a guy with so little time on his hands, Hodge, not surprisingly, likes to keep a close eye on his watch. What is surprising, however, is how serious he is about what he puts on his wrist. He’s a bona fide watch junkie who says he’s lost count of how many timepieces he owns. But he doesn’t just collect watches—he actually knows how to make them.

A self-taught horologist, he even uses his own guilloche machine, a tool developed in the 18th century by Abraham-Louis Breguet, to create intricate designs on a watch face. And when he walks into the Quin’s palatial three-story penthouse, he’s like a kid in a candy store, gushing over a trio of Breguet watches selected for the day’s shoot.

“Let’s see…we’ve got the 5395, the 7337, and the 5527,” says Hodge, rattling off the reference numbers for each watch by memory. It’s the kind of obsessive knowledge you’d expect from any well-heeled collector, but it was a long road to connoisseurship for the North Carolina native. Raised along with his two siblings by a single mother, he knows what it means to struggle to get by. Even in those early days, however, he always had an affinity for the finer details. “I was always scientifically and mechanically inclined,” he says. “As a child, I wanted to be an engineer and a designer. When I was 19, I got into watch design because it was something that I could take with me while I was pursuing my acting career, which I’d already been in for quite some time. I chose watches because it encompasses all of my loves—art, architecture, engineering, and balance.”


When Hodge whips out his portfolio of hand-sketched watch designs, it’s not hyperbole to say they rival concepts you’d see from some of the greatest watchmakers of Switzerland. And the actor knows it—he’s already begun laying the groundwork for his own eponymous watch company. The dials will be branded A. Hodge and engraved with various personal mottos, such as “The wealth of every nation is found in the heart of its foundation.” Of course, unlike every other watchmaker in the centuries-long history of horology, Hodge will have plenty of name recognition before he even sells his first piece. But that’s beside the point. “I honestly don’t care if I don’t sell a watch,” he says. “I just need to make it.” Still, when he takes out his laptop to show off the artificial-reality technology he has developed to help his future customers virtually try on his watches, it’s obvious he’s committed to bringing his project to fruition.

With his career in full swing, Hodge has already proven that he can bring any project he cares about to life—even today’s shoot. Dressed in a Brunello Cucinelli sweater and checkered PT01 pants, he steps in front of the camera and instantly becomes another person, like a shape-shifter who moves seamlessly through many worlds, lighting up the second the lens is pointed in his direction. It’s that mix of charisma and intellect that has carried him to the top. His initial casting conversations with City on a Hill creator Chuck McClean, for instance, didn’t even happen face-to-face but rather over Skype while he was filming Brian Banks in Memphis.

“We talked about the character and the tones and the responsibility I felt needed to be had with handling this subject matter,” Hodge says of those early exchanges. “We’re dealing with racism heavily, and it’s real. I grew up in New York and New Jersey. I have family in Boston. It’s real—the KKK is in New Jersey. The show is set in 1992, but we still live this. That’s what makes Chuck brilliant. There are a lot of great writers, but Chuck will listen. He understood me, and he respected my opinion.”


Brian Banks is a film not only about wrongful imprisonment but also the failures of the American justice system. It’s a theme Hodge will explore again in Clemency, a film due to be released in December that’s based on the true story of Anthony Woods, a man on death row who maintains his innocence while his prison warden (played by Alfre Woodard) struggles to come to terms with the morality of capital punishment. “I’ve been blessed to have opportunities that might start a little bit of a conversation,” Hodge says.

For his next film, however, he’ll have a bit more in common with the lead character (even though he’ll play a supporting role in the movie). The Invisible Man tells the story of a mad inventor with an obsession for optics who develops a way to make himself invisible—a superpower from which he is ultimately unable to recover. Like the protagonist, Hodge clearly has a penchant for creation, but unlike H.G. Wells’s Dr. Griffin, this inventor is hell-bent on making himself anything but invisible.

“This Jaeger-LeCoultre was one of my first nice watches. I was just amazed to be able to have a Reverso in my stable. They are not the only ones that do this mechanism on a case, but they are the ones that glorified and perfected it. I buy watches to teach me about a whole new way of thinking, and this piece taught me about casework.”

“Here we have a different level of craftsmanship—skeleton movements are by far not an easy feat. I love that they took the time to really accentuate the movement, and the tourbillon is, of course, a classic. But to me, the most impressive thing is the peripheral rotor on the back. It’s not an easy thing to make, and it’s made expressly for the effort to glorify the movement on the caseback.”

“This watch has been my love for a long time. It’s simplicity and complexity married together in the most perfect form, and the guilloche work is exceptional. It’s just beautiful—a slice of heaven.”

“This is from Bulgari after they acquired Daniel Roth, and I bought it specifically because of him. I bought it because I was studying primarily depth and composition, as well as legibility and because it has jumping hours with two time zones. Most people see the first one but don’t realize there is a second one right there in the middle. It taught me about spacing.”

Press: Aldis Hodge Talks ‘City on a Hill,’ His Favorite Boston Spots and More

Friday, Aug 9, 2019


BOSTON COMMON – After acclaimed performances in What Men Want and Clemency, actor Aldis Hodge continues his big year with City on a Hill. Debuting June 16 on Showtime, the drama stars Hodge and Kevin Bacon as a pair of law enforcement officers taking on corruption in Boston. “This show is going to be fire,” Hodge promises. We chatted with the actor about the series, working with executive producers Matt Damon and Ben Affleck, and even food.

What made you want to get involved with City on a Hill?

I love the show because it’s gritty and raw. We’re dealing with Boston in the ’90s, crooked cops and robbers, that kind of thing. What really captures me about the show is that regardless of the scenario and what brought us all together, we’re still dealing with the life of Boston. We’re dealing with these people as representations of the life of Boston and how harsh it can be or has been for some.

Did you enjoy filming in Boston? Find any favorite spots around town?

I grew up between New York and New Jersey, and I had family in Boston. We would go up to Boston in the winters. I have no idea why the winters, because they were terribly cold. Boston’s changed a little bit, but I will say my favorite place that I hit was Ostra. The first place that Kevin and I met and had dinner at was Ostra. We had a fantastic conversation and got to know one another, but the food was brilliant. I was there a couple times a week. Their sauces are fantastic.

How involved were Matt and Ben?

This whole idea was really born in Ben Affleck’s head. They were both completely involved. Ben’s actually been on set a couple of times. It would be nice to actually see him direct. That would be really cool. What are your favorite Boston movies? Of course, I love Good Will Hunting [written and starring Damon and Affleck]. I also really like The Town [Affleck starred and directed]. I thought it was done really well. Then again, The Departed [Damon starred in] is damn good, man. It’d be a toss up between those.

Press: Aldis Hodge Is A Real-Life Superhero, So Give This Man What He Wants

Friday, Aug 9, 2019

After years of dramatic roles, the “What Men Want” star wants to make you laugh and fulfill his dreams of being a super-powered badass


BET – Legend has it that Aldis Hodge worked cheap early in his career. Really cheap. Like, McDonald’s Happy Meal cheap. The pre-schooler was tagging along on a photo shoot for Ebony Magazine, where his older brother, Edwin, was working. The producers had a last-minute need for another cute kid and Aldis’ mother convinced him to take the gig in exchange for a coveted Batman toy. Thanks to mom’s quick thinking, Hollywood has been gifted one of its most intense and versatile acting talents.

Hodge has amassed a colorful acting resume that includes stints on shows like A.T.O.M.: Alpha Teens on Machines, Friday Night Lights, Supernatural and Leverage. But it was his moving portrayal of a restless slave named Noah on WGN’s Underground that made viewers sit up at attention and cheer with their fingers across social media. In the same year his appearance in Black Mirror as a somewhat single father named Jack living with his girlfriend’s voice literally in his head, allowed him to blend his piercing stares with subdued comedic timing. But now Hodge gets to go for the full belly laughs in the R-rated comedy What Men Want as the bartending, romantic, very single father named Will, who gets caught up in Taraji P. Henson’s mind-reading male-strom.

During a stop at BET, Hodge is adorned in gold, beads and denim fabrics that accent flawless skin that has benefited from the sun’s full attention. He walks with squared shoulders inherited from his retired Marine parents. His cape is invisible. If not for the disarming laughs cracking his intense looks, you might think he’s one cartoonish horn blare away from taking off through the ceiling to catch a meteor hurtling toward earth. Between bites of his lunch we talk about the comedy of sex, his fascination with controlling time, engineering the perfect date and being a champion for the people.


It was kind of meta for you to have your thoughts read by Ali in What Men Want, because in the “Black Museum” episode of Black Mirror your lover was LITERALLY in Jack’s head. Did you draw on that experience at all for this role?
Continue reading Press: Aldis Hodge Is A Real-Life Superhero, So Give This Man What He Wants

Video: Actor Aldis Hodge on Portraying Brian Banks in Upcoming Movie

Saturday, Sep 22, 2018

UNDERGROUND: Aldis Hodge and Jurnee Smollett-Bell on Season 2 – Interview

Saturday, May 27, 2017

ASSIGNMENT X – In Season 2 of WGN America’s UNDERGROUND, which concludes Wednesday, May 10, things have gotten even more dangerous for the main characters. Escaped slave Rosalee, played by Jurnee Smollett-Bell, is now working in the Underground Railroad with Harriet Tubman, played by Aisha Hinds, to help other slaves flee to freedom. Meanwhile, Noah, played by Aldis Hodge, who changed his own plans to help Rosalee, has spent time in prison and nearly been executed, all of which has a major effect on him.


Hodge and Smollett-Bell sit down to talk about their characters in UNDERGROUND’s second season, as well as what the show has to say to contemporary America.


ASSIGNMENT X: What would you say are the big differences in attitude for Noah and Rosalee in Season 2 from Season 1?


ALDIS HODGE: I would say for Noah, he has the same goal, different intention. It’s still freedom, but his idea of freedom is Rosalee, it’s no longer just being out of bondage, it’s Rosalee. So you’re going to see all these months of being cooped up in a prison cell [laughs] ferment through his actions and his choices. But he learns, he explores different situations. He’s put in situations emotionally that he never expected to be in. So we’re going to see his evolution over time with how he comes to understand life, because for him, life is very different in terms of trying to escape again, trying to understand what Rosalee means in terms of family and his overall goal of freedom.


JURNEE SMOLLETT-BELL: I think at the end of Season 1, it really dawned upon Rosalee that freedom ain’t free, and that when she says to Noah, “We’re not free until we’re all free” – we lost everyone. We lost the Macon Seven comrades, I lost my mother and brother, found out my oldest brother was lynched, and then I end up losing Noah. So when we meet Rosalee at the beginning of Season 2, she’s trying to put the pieces back together. And she’s been on the run with Harriet, being trained on how to navigate this complex [underground railroad] network.


Continue reading UNDERGROUND: Aldis Hodge and Jurnee Smollett-Bell on Season 2 – Interview